A murderer is regarded by the conventional world as something almost monstrous, but a murderer to himself is only an ordinary man. It is only if the murderer is a good man that he can be regarded as monstrous.

I like the songs to appear very simple and to flow by without any kind of hiccup, but there has to be this impression of other currents underneath. Like if the songs aren't, on some level, multidimensional, we lose interest in them.

If I hear an interesting turn of phrase on TV, I'll repeat it back - I just like to roll it around on my tongue. The same goes for dialog: I'll either speak it aloud or whisper it. I definitely sit in front of my computer and mutter. People have mentioned it.

One must pass through the network of influence. One is obligated to be influenced, and one accepts this influence very naturally. From the start, one doesn't realize this. The first thing to know: one doesn't realize one is influenced. One thinks he is already liberated, and one is far from it!

In its famous paradox, the equation of money and excrement, psychoanalysis becomes the first science to state what common sense and the poets have long known - that the essence of money is in its absolute worthlessness.